Say it out loud.
Hold to talk. Your voice is turned into text on your Mac, and only the words go to Tino.
An Ask field with spoken words appearing as text, Tino listening at the end of the sentence, and a chip that reads Transcribed on your Mac.
Meet Tino.
Tino’s pink dot leaves the i in its name and goes to work.
Tino is the collaborator in every studio. It makes the first version, looks at what it made, and keeps going with you until it’s right.
Coming to Mac. Free during launch.
The dot
Where the dot goes, Tino is working.
The pink dot over the i is Tino. When you ask, it leaves the i and goes where the work is, as the playhead on a film or the caret on a slide. A pink line marks each change until you keep it. When it’s done, it flies home.
Three moments: Tino listening at the end of your sentence; Tino trimming the Light shot on the timeline, as the playhead; Tino setting the date on a slide, as the caret.
Pink is only ever Tino. Nothing else on the page uses it.
It knows when to hand you the tools.
In the light Tino conversation, the Casa Lume film sits as a card you can play, and you say the water comes in too soon at 0:09. Tino asks to open the film in Movie, since a change at 0:09 is timeline work. The window goes dark around the film: the Movie studio, with the timeline below. Tino’s dot is the playhead at the Water marker; it moves the cut one beat later and takes the same beat out of Water, so the film stays 15 seconds. Back home, the card returns as version 3 with Keep and Undo.
It looks before you do.
Tino doesn’t hand you a guess. It renders the frames and slides it makes, looks at them, and fixes what it finds.
Tino
I looked at the slide at full size and gave the months more room. Now one line under the title to say what it means.
Text that crowds an edge.
It brings the line back inside the frame.
A cut that misses the beat.
It moves the cut onto the beat.
A chart that’s hard to read.
It gives the data room and says what it means.
Every change is yours to keep.
- Keep or undo.
- Each change Tino makes carries a pink line until you keep it. Undo takes back that change and nothing else.
- History.
- Every change, yours and Tino’s, in order.
- Vibe or Pro.
- In Vibe, you talk and watch. In Pro, you get the full timeline or slide editor. Same project, switch any time.
Tino’s change list in the Movie studio: three changes to the lockup, each with a pink line and Keep. As each is kept, its line goes.
It listens, and it remembers.
It remembers the project.
Each project keeps its own conversation, on your Mac. Come back next week and Tino knows where you left off.
A Tino conversation: the kept version of the Casa Lume film from Tuesday, a Today divider, and a new request in the same project, which Tino picks up from where it left off.
One Tino, in every studio.
The same Tino, in the same conversation, in Movie and Deck today. Your brand kit goes with it.
Privacy
What stays on your Mac.
- Your projects, sources and brand kits stay in your Library, on your Mac.
- Tino sends Claude what a task needs: your words, the parts of the project in play, and the frames or slides it renders to check its work.
- Your voice is transcribed on your Mac. Only the words leave it.
- Your conversations are kept on your Mac, one per project.
- Tino opens only the web pages you give it. It searches the web when you ask.
- When Tino writes code, say to compose a score, it runs in a sealed space, not on your system.
- Exports go wherever you save them.
Powered by Claude
Tino thinks with Claude, made by Anthropic. You connect your own Anthropic API key, so Anthropic bills you directly.You connect your own Claude account or Anthropic API key. Tino is an independent app.