A studio in Tino

Films from a sentence.

Describe it, and Tino makes the first cut in the conversation: titles, motion, 3D and an original score. Step inside for a real timeline.

Coming to Mac. Free during launch.

The Movie studio in Tino: a film of a house at dusk in the viewer, a timeline of layers below, and Tino's pink playhead on the lockup.

Pro mode, on Casa Lume. Tino moves the lockup onto the beat.

Talk it through

First, a conversation.

Tino makes the first cut right in the conversation, as a card you can play. Ask for another, warmer, shorter. Point at a moment, or press Open in Movie, and you’re in the studio.

The Tino conversation with the Casa Lume film card. You write: At 0:09 the water comes in too soon. Stay inside a moment longer. Tino asks: Open the film in Movie? A change at 0:09 is timeline work. Then the window turns dark and the Movie studio opens on the same film. Tino holds Light one beat longer and takes that beat from Water, so the film stays at fifteen seconds.

Home in Tino, on Casa Lume. A change at 0:09 is timeline work, so Tino offers the studio. The same film, in the Movie studio. It never stopped playing.

Step inside

It works where
you’re looking.

Point at the frame.

Pin a note right on the film. Tino reads where you pointed and changes that, and nothing else.

Two ways to work.
One film.

The Movie studio on the film First Light, a rocket launch that ends on a mission patch and the launch date. In Vibe the film fills the window, with a scrubber and the conversation beside it, and your note pinned on the date. In Pro the same window gains the inspector and the timeline of layers.

Just talk.

The film, the conversation, and nothing in the way. Pin notes on the picture and let Tino do the rest.

Get your hands on it.

Timeline, layers, keyframes and an inspector, with Tino still beside you. Same film, switch any time.

Say it out loud.

Talk to Tino while the film plays. What you say is transcribed on your Mac.

Hear the score.

Tino composes an original soundtrack for each film, written to the picture, not pulled from a library.

It checks its work.

Tino watches its own frames and fixes what’s off before you have to ask.

Everything a film needs.
In one window.

Pro mode on Heure Ambrée: warm light leaks bloom in from the edges, and Tino asks whether to hold them back from the name.
Light Leaks, live on Heure Ambrée.
  • 3D scenes.

    Type, small worlds and objects in real 3D, lit and filmed in the film.

  • Effects.

    Light leaks, god rays, ink bloom, CRT and dozens more, live on the frame.

  • Original scores.

    Music written for this film and cut to its beats.

  • Brand kits.

    Your colours, type and logo, in every film and every deck.

    Brand kits
  • Bring anything.

    Add images, PDFs, audio or video to what you ask.

  • Every shape.

    Wide, vertical and square, for screens and stories.

  • Saved to your Library.

    Every version is a file in your project folder. Tino keeps the conversation beside it, on this Mac.

    Library
  • Undo per change.

    Every edit, yours or Tino’s, is one step back.

  • 4K export.

    Up to 4K. Save it anywhere, then share it or drag it into your next post.

Films

Example films.

Live, in your browser, on the Movie studio’s own engine. See all ten

Casa Lume16:9 · 0:15
Heure Ambrée9:16 · 0:10
Iris & Theo9:16 · 0:12
Deckle1:1 · 0:12
First Light16:9 · 0:12
Love On Loud1:1 · 0:12
Moss & Ember16:9 · 0:20
48 Hours in Lisbon9:16 · 0:15

Your first film is
a sentence away.

Coming to Mac. Free during launch.